Comments Off on Woroni Communications Editor Casual Vacancy 2024
Woroni’s Board of Editors is looking to fill a casual vacancy for the new position of Communications Editor for 2024, this position will commence on the 13th of May 2024 and end on the 16th of November 2024.
The Communications Editor is a new position added this year to the Woroni Board, and is responsible for overseeing the organisations public presence and reach. This includes oversight over our social media, photography and events portfolios, managing these teams and the content they produce. It is an exciting opportunity to work with passionate volunteers to create content that matters for the ANU community, made by the community itself. The Communications Editor also sits on the Board and is a Director of the organisation, responsible in part for the overall direction of Woroni.
The successful applicant will be passionate about student media, have experience with team management, be organised and punctual, and be willing to dedicate 15 hours per week to Woroni duties. They do not have to have prior experience with Woroni, but such experience is highly recommended. They must be an ANU student.
The position is not paid, but Editors receive an honorarium for their work.
Applicants must answer the questions below, and if successful, will then go on to be interviewed by a panel of three current Editors. Applications close on the 1st of May.
Woroni is committed to accessible and diverse hiring. If the hiring process can be made more accessible for you or if you feel you have different requirements for any reason, please email woronideputy@gmail.com and we will do our best to accomodate your needs.
If you have any questions, please email woronideputy@gmail.com
Comments Off on Annual General Meeting 2024 Notice
We are pleased to announce that the ANU Student Media Inc. Annual General Meeting (AGM) will be held on Monday the 29th April 2024.
Location: In person TBC and Zoom
Time: 6.30pm
The 2024 ANUSM Annual General Meeting Agenda can be accessed here.
You can access the references from the agenda below once the agenda is posted:
Reference A: 2023 AGM Minutes (Draft)
Reference B: 2023 SGM Minutes (Draft)
Reference C: 2024 Editor-in-Chief’s Annual Report
Reference D: 2024 Managing Editor’s Annual Financial Report
Reference E: 2023 Audited Financial Statement
Reference F: Provisional 2024 Budget
Reference G: Proposed Editor Honoraria Regulations
The Editor-in-Chief and Managing Editor will present their annual reports, the 2023 Audited Financial Statement and the 2024 ANUSM Provisional Annual Budget.
If you are interested in the governance of ANU Student Media, want to get involved next semester and would like to get an update on the progress we have made in the past year, we invite you to come along. We will also be having a discussion on Woroni’s name directly following the AGM. For more information please see the statement made by Editor-in-Chief Matthew Box here.
If you have any accessibility requirements or questions, please email Charlie Crawford, our Deputy Editor-in-Chief, at woronideputy@gmail.com.
Woroni TV is hiring for the second half of Semester 1 2024!
At Woroni we are committed to:
producing interesting, entertaining, informative and regular content across our print, multimedia, radio and online media platforms;
contributing to a sense of university identity and reflecting the scholarly and cultural diversity of the ANU community;
promoting open public dialogue and debate in the ANU community;
promoting awareness of the variety of curricular and extra-curricular activities undertaken by students at ANU;
discovering and developing the creative talents of students at ANU in journalism and the media arts;
promoting the best practice in professional journalism; and
being innovative and exploring new media forms.
A great student media organisation is for everyone. Student media should promote conversations, and provide a platform for people with different views, identities and lived experiences. Our ultimate aim is to build a culture of inclusivity and diversity across our platforms. A large portion of ANU’s students relocate to Canberra to study, which means our community is extremely diverse. Woroni is funded by, created by and consumed by ANU students, and our mission is to produce print, radio and television content that truly reflects this community.
Woroni is committed to diversity in hiring and encourages applications from ANU students of all backgrounds. These are volunteer positions, however individuals may receive an honorarium based on their commitment to the role. If you have questions or concerns, please do not hesitate to contact woronieic@gmail.com. If you would like to contribute to our mission, see below for how you can get involved with student media!
Applications will close at midnight on Friday the 3rd of May 2024. Interviews may be conducted at any time throughout or after the application period.
The TV team at Woroni produces video content ranging from campus life to news reporting. We’re looking for fun, creative, and passionate sub-editors and senior sub-editors to join the team!
Production Assistant:
The Production Assistant role is a versatile, entry-level position crucial to the video content production process within a team. Key duties include developing video concepts, filming with audio and camera equipment, and video editing using Adobe Premiere Pro. This position offers an opportunity for skill development in various media production areas. Although prior experience in media production is advantageous, it is not mandatory. The role is expected to require approx. 8-10 hours of work per week, including compulsory weekly team meetings that you must be available for. This is a volunteer position, with the possibility of honoraria.
Producer:
The TV Producer role is essential for facilitating video production in small teams, focusing on all production stages for quality delivery. This position, which reports directly to the Executive Producer, involves scheduling, creative direction, and collaboration with Production Assistants. Candidates should have basic to intermediate production skills (camera, editing, production). This position is ideal for individuals familiar with media production looking to leverage their creative skills in a team environment. The role is expected to require approx. 8-10 hours of work per week, including compulsory weekly team meetings that you must be available for. This is a volunteer position, with the possibility of honoraria.
Executive Producer:
The Executive Producer role is a leadership position within the video production team, requiring close collaboration with the TV Editor for effective management. Responsibilities include coordinating a production team and contributing to video development, as well as camera operation and video editing, and providing both assistance and troubleshooting in these areas. This position is ideal for someone with experience in film production and managing a team, who is able to manage a more significant time commitment. The role is expected to require approx. 10-15 hours of work per week, including compulsory weekly team meetings that you must be available for. This is a volunteer position, with the possibility of honoraria.
TV-News Producer:
This position plays a crucial role in bridging the TV and News portfolios to produce multimedia style journalistic content. Working closely with the TV-News Executive Producer, this position requires attendance at weekly team meetings across both TV and News. Responsibilities include content development, camera operation, and video editing. This position is ideal for someone with some experience in media production who is passionate about multimedia journalism.The role is expected to require approx. 8-10 hours of work per week, including compulsory weekly team meetings that you must be available for. This is a volunteer position, with the possibility of honoraria.
If anything can be done to make the application process more accessible, please contact woronitveditor@gmail.com.
Comments Off on Statement From the Editor-in-Chief on the Name ‘Woroni’
Australian National University Student Media Inc. (ANUSM) currently trades and publishes under the name ‘Woroni’. Woroni is a word which was stolen from the Wadi Wadi nation by Editors in 1950 without consultation or recognition. The Wadi Wadi language is now extinct which has made various attempts at consultation on the use of the name over the last 5 years challenging, this however is no excuse. In the middle of 2020 ANUSM began recognising the theft of the word publicly in the Acknowledgement of Country on the back of the Woroni magazine.
This year we have once again attempted consultation with the Murray and Lower Darling Rivers Indigenous Nations on the name, however the ANUSM Board strongly believes that the association should be a democratic, student led, and informed organisation. In light of this, we will be holding an open discussion immediately following our Annual General Meeting on the 29th of April 2024. The AGM begins at 6:30pm and is likely to run for approximately 30 minutes so we anticipate this discussion to begin at approximately 7:00pm. The discussion will not take place as a part of the AGM as we do not expect there to be a final resolution on the topic that night and the structure of a General Meeting does not provide the same opportunity for discussion as we think would be productive.
For some additional context, ANUSM is an incorporated association and thus it and its directors are legally bound by its constitution. Currently section 14.2 of the ANUSM Constitution requires that “The Association must manage print and media platforms with the masthead Woroni.” Given this we cannot begin publishing under another name until the members of ANUSM have approved a change to the constitution and this change has been ratified by ANU Council. All ANU students are automatically members of ANUSM and are invited to participate in this discussion.
Details of the discussion will be released in due course. We acknowledge that not everyone with an opinion on the matter will be willing or able to attend the discussion and so encourage anyone to contact the Editor-in-Chief at woronieic@gmail.com if you would like to contribute your thoughts to the discussion.
Have you ever been listening to a song and are so taken aback by an unhinged lyric that you have to go back and check that it’s exactly as insane as you thought it was? Yeah, me too. Typically I don’t listen very closely to the lyrics of songs. However, every so often, there’s one so special it requires recognition. Here is a collection of a few of my favourite lyrics that have stopped me in my tracks (pun intended).
If you, like me, have a middle-aged white Australian father, you’ve probably been forced to listen to a lot of Triple J over the years. When I was fifteen, Pond came out with their album The Weather and to say my dad was obsessed is an understatement. This meant anytime one of their songs was played on Triple J, my dad would turn it up and sing along — horribly off-key, mind you. Truly nothing is more horrifying as a teenager than hearing your dad fucking belting the line, ‘in between my penis and chin/is camembert and shame’ (Pond, Sweep Me Off My Feet). The moment has never left my brain since and probably never will.
Being on Youtube in the mid to late 2010s, you may have come across the animation community and its even smaller subset, the animated meme community. Me and my brother fucking loved to show each other the most stupid videos from there, like Momotaro by Ap Selene and Vivziepop’s Timber. I still maintain that some of those songs were good. One of our absolute favourites was the reanimation of Pokemon Sun and Moon characters to You Reposted in the Wrong Neighbourhood by Shokk. The image of Professor Kukui dancing hard to ‘I’m a menace, a dentist, an oral hygienist’ is timeless. The original may have been deleted, but I still go back to reuploads every now and again.
For one of my introductory courses in first year, the professor would play the music video for a song at the beginning of each module (so usually one or two a class) that was in some way related to the content we would be learning. We were forced to listen to all manner of wild songs at 8 am on a Tuesday morning, but I can’t deny that they were part of the reason I loved that class and went to every lecture, even with that brutal start time. One of the most memorable was the 17th song in which the line, ‘I’m learning to hate all the things that used to be great when I used to be bent!’ was uttered. Honestly, the entire song, I Want to Be Straight by Ian Dury (ft. The Blockheads) is mad, so I would encourage watching the music video or even just listening if you feel so inclined.
In the past couple of months, a lot of my friends have moved houses and as the fantastic friend that I am, I helped. On one of these expeditions, after we had moved most of the boxes into the new place, we were taking a break and listening to the radio (which station I couldn’t tell you for the life of me). We were sweaty, exhausted and overheated. Basically we were delirious, which means that only something truly out of pocket would’ve shaken us out of our stupor. It was actually an earlier lyric from the song that caught our attention (breathing out a hole in my lung) but the later lyric is one that stuck with us so bad we immediately had to look it up to make sure we didn’t hallucinate what we had heard. We hadn’t, and that lyric was; ‘I’m a sex change and a damsel with no heroine’, from Silverchair’s Straight Lines.
When I told my dad about this collection of silly song lyrics that he had originally prompted, he was at first amused but then said he had the perfect song to add to it. He was right. The entire song is a collection of lyrics that I’m frankly astounded made it past a producer but the one I’ve chosen is tame enough that it’s entertaining but not batshit enough to be concerning – like some of the rest of the song is. That lyric is ‘I like football and porno and books about war/ I got an average house, with a nice hardwood floor’ from Dennis Leary’s song Asshole.
Those are all lyrics that have really stuck with me, but there are others that I believe deserve an honourable mention:
‘May God rest that twink, he is no more’ – Lynks, USE IT OR LOSE IT.
‘Jerry Lee Lewis was the devil’ – Ministry, Jesus Built My Hotrod.
‘Sipping tea by the fire is swell/ pushing people in is fun as well!’ – Starkid, Different as Can Be.
‘I get eaten by the worms/ and weird fishes’ – Radiohead, Weird Fishes.
‘I have a big gun/ took it from my Lord’ – MELL, Red fraction.
‘Doctor holding a big bottle of tonic but the bottle’s full of rings and the doctor is Sonic’ – Tom Cardy (ft bdg), Beautiful Mind.
‘And I’ll blend up that rainbow above you/ and shoot it through your veins’ – Owl City, Rainbow Veins.
‘I got money and fame and fancy clothes/ I got a cat food sponsor deal’ – 2winz², Just One Day.
‘Your waitress was miserable and so was your food’ – Alex Turner, Piledriver Waltz.
‘He keeps begging me to eat me out, I said, / “You gotta take my tampon out with your mouth”’ – Ayesha Erotica, S&M remix.
‘Sixty-nine is the only dinner for two’ – Childish Gambino, Heartbeat.
‘Bish I’m a star but not Patrick’ – Lisa (BLACKPINK), Ddux4 (JP. Ver).
‘The whole world is my daddy / wabi sabi papi’ – Okay Kaya, Mother Nature’s Bitch.
‘Pick my shorts out my ass with my blood-stained hands’ – Ashnikko, Cheerleader.
‘You won’t doo-doo me, I smell TNT’ – Kendrick Lemar, United In Grief.
Comments Off on Woroni is Hiring for Semester 1 2024!
Woroni is hiring for Semester 1 2024! Positions are available across our Art, Management, News, Radio and TV portfolios.
At Woroni we are committed to:
producing interesting, entertaining, informative and regular content across our print, multimedia, radio and online media platforms;
contributing to a sense of university identity and reflecting the scholarly and cultural diversity of the ANU community;
promoting open public dialogue and debate in the ANU community;
promoting awareness of the variety of curricular and extra-curricular activities undertaken by students at ANU;
discovering and developing the creative talents of students at ANU in journalism and the media arts;
promoting the best practice in professional journalism; and
being innovative and exploring new media forms.
A great student media organisation is for everyone. Student media should promote conversations, and provide a platform for people with different views, identities and lived experiences. Our ultimate aim is to build a culture of inclusivity and diversity across our platforms. A large portion of ANU’s students relocate to Canberra to study, which means our community is extremely diverse. Woroni is funded by, created by and consumed by ANU students, and our mission is to produce print, radio and television content that truly reflects this community.
Woroni is committed to diversity in hiring and encourages applications from ANU students of all backgrounds. These are volunteer positions, however individuals may receive an honorarium based on their commitment to the role. If you have questions or concerns, please do not hesitate to contact woronieic@gmail.com. If you would like to contribute to our mission, see below for how you can get involved with student media!
Applications will close at midnight on Sunday the 18th of February 2024. Interviews may be conducted at any time throughout or after the application period.
ART
The Woroni Art team has many exciting opportunities available for ANU students interested in all aspects of art and graphic design. We encourage absolute creative freedom in your artistry. Becoming a part of the team is a great way for you to get experience in having your work published (and looks great on any resume or in any portfolio). It can also help with giving you as an artist an extra boost in confidence in your own skills and ability by providing you with a platform to show off your skills. The actual workload is bent to accommodate each individual’s other commitments. There will be three different Sub-Editor roles available within the Art portfolio and all Sub-Editor will be responsible for creating a number of pages for each Woroni print edition. Each role will then have additional duties, as detailed below. If anything can be done to make the application process more accessible, or if you have questions or concerns, please do not hesitate to contact woroniart@gmail.com.
Artist:
Artists are responsible for creating consistently high quality art for Woroni and must be able to stick to strict deadlines. Usually, this is three to six pieces of art per print cycle, to be published either online or in print. Additionally, the work requires proficiency in producing art of specific structural qualities (PPI, sizing, CMYK colour palette etc.). Artists must be responsive to the Art Editor and are expected to attend meetings, Woroni events and social activities. Artists are also expected to contribute to the marketing and promoting of content. Some experience in producing art and/or designs under instruction is preferred but not required. Ideally, Artists would work well within a team, are approachable, and want to bring their own ideas to the team!
Apply to join the Art Team here
MANAGEMENT
If anything can be done to make the application process more accessible, or if you have questions or concerns, please do not hesitate to contact woronieic@gmail.com.
Social Media Sub-Editor:
Social Media Sub-Editors work with the Woroni board and other sub-editors to manage our online platforms and overall image. This includes scheduling posts across platforms for teams, creating and designing infographics, and pitching and making independent posts.
Social Media sub-editors are expected to work 5-10 hours per week, including attending a fortnightly meeting. We’re looking for someone who is enthusiastic, skilled with social media, and wants to get involved in student media.
Apply to join the Social Media Team here
Senior Events Officer:
The Senior Events Officer will work alongside the rest of the management team, including two events officers, to organise, coordinate and manage events run and funded by Woroni. The individual will work closely with the Executive and the rest of the Board to plan events and ensure the administration work of organising events is completed effectively and in a timely manner. The ideal candidate will have significant experience in organising events, will be effective in both written and verbal communication and will be able to help manage a small team. The successful individual will be expected to commit an average of 7-10 hours a week across the semester.
Events Officer:
Woroni is looking for an Events Officer to help us run and manage a variety of events throughout the semester. With a large budget and organisational support, this is a great chance to get involved in event planning and understand the administration of Woroni. Experience organising events in and outside ANU is preferable but not required. Required work includes planning events, contacting suppliers, booking venues, MCing and helping to support our Board as they run events. Events Officers are expected to dedicate an average 5-8 hours per week and attend fortnightly meetings.
Apply to join the Events Team here
NEWS
Woroni’s News Team reports on the current affairs impacting the ANU community and students in particular. It is a fast-paced work environment where members of the team report on a variety of topics, ranging from student politics, changes to the University’s policies, to the Federal Budget. The News Team meets each week and everyone meets tight deadlines. It is a fun, closely-knit team that helps create excellent writers who work well under pressure. If anything can be done to make the application process more accessible, or if you have questions or concerns, please do not hesitate to contact woroninewseditor@gmail.com.
Senior News Reporter:
Senior News Reporters are responsible for the coverage of news stories and relevant information, while also sourcing news leads, researching and investigating stories, writing drafts and also editing the drafts of news reporters. They must be highly active in their communication, with the role requiring a commitment of 10-15 hours per week. Senior reporters should be confident writers, able to give clear, constructive feedback, work to tight deadlines, competent in pitching articles and capable of instructing news reporters. Prior experience in student journalism is a strength.
News Reporter:
News Reporters regularly write articles for Woroni News on events and issues that impact ANU students. They are expected to engage with campus life, write, on average, an article a week, and attend weekly team meetings. The role will also involve attending various events throughout the semester, like festivals, non-autonomous collective meetings, protests etc. News Reporters must be able to: write concisely and accurately; meet deadlines at short notice; pitch story ideas; work well in a team environment; and be confident in independently investigating issues further. A Woroni News Reporter is required to dedicate 5-10 hours per week to their role, and must write one article per week.
News Columnist:
News Columnists write articles that include the usual reporting with some additional commentary and analysis. They will primarily be tasked with news topics which require more contextualisation than a regular news article can provide. A columnist should show an appetite for complex topics and should demonstrate an ability to create comprehensive and sophisticated analysis. A Woroni News Columnist is required to dedicate 5-10 hours per week to their role, and must write one-two articles per fortnight.
Apply to join the News Team here
RADIO
The Radio team runs Woroni Radio; ANU’s student radio. From scheduled broadcasts to one-off specials, there is a kaleidoscope of content produced by Woroni Radio. We are seeking passionate and energetic individuals for the role of Producer. If anything can be done to make the application process more accessible, or if you have questions or concerns, please do not hesitate to contact woroniradioeditor@gmail.com.
Producer:
A Producer provides both technical and moral support to presenters throughout the semester. Producers and presenters will work together to create engaging radio shows that air on a weekly basis. They will also assist their Executive Producer with either Creative or Features content production. This role is approximately 5-7 hours per week and no past experience is necessary as long as you are keen to learn and passionate about helping our presenters create quality radio content! The ideal candidate will be approachable, organised, responsible, reliable, a good communicator, a team player and a critical thinker.
Apply to join the Radio Team here
TV
The TV team at Woroni produces video content ranging from campus life to news reporting. We’re looking for fun, creative, and passionate sub-editors and senior sub-editors to join the team!
Production Assistant:
The Production Assistant role is a versatile, entry-level position crucial to the video content production process within a team. Key duties include developing video concepts, filming with audio and camera equipment, and video editing using Adobe Premiere Pro. This position offers an opportunity for skill development in various media production areas. Although prior experience in media production is advantageous, it is not mandatory. The role is expected to require approx. 8-10 hours of work per week, including compulsory weekly team meetings that you must be available for. This is a volunteer position, with the possibility of honoraria.
Producer:
The TV Producer role is essential for facilitating video production in small teams, focusing on all production stages for quality delivery. This position, which reports directly to the Executive Producer, involves scheduling, creative direction, and collaboration with Production Assistants. Candidates should have basic to intermediate production skills (camera, editing, production). This position is ideal for individuals familiar with media production looking to leverage their creative skills in a team environment. The role is expected to require approx. 8-10 hours of work per week, including compulsory weekly team meetings that you must be available for. This is a volunteer position, with the possibility of honoraria.
Executive Producer:
The Executive Producer role is a leadership position within the video production team, requiring close collaboration with the TV Editor for effective management. Responsibilities include coordinating a production team and contributing to video development, as well as camera operation and video editing, and providing both assistance and troubleshooting in these areas. This position is ideal for someone with experience in film production and managing a team, who is able to manage a more significant time commitment. The role is expected to require approx. 10-15 hours of work per week, including compulsory weekly team meetings that you must be available for. This is a volunteer position, with the possibility of honoraria.
TV-News Producer:
This position plays a crucial role in bridging the TV and News portfolios to produce multimedia style journalistic content. Working closely with the TV-News Executive Producer, this position requires attendance at weekly team meetings across both TV and News. Responsibilities include content development, camera operation, and video editing. This position is ideal for someone with some experience in media production who is passionate about multimedia journalism.The role is expected to require approx. 8-10 hours of work per week, including compulsory weekly team meetings that you must be available for. This is a volunteer position, with the possibility of honoraria.
Apply to join the TV Team here
Comments Off on Woroni Managing Editor Casual Vacancy 2024
Woroni’s Board of Editors is looking to fill a casual vacancy for the position of Managing Editor for 2024, this position will commence on the 19th of February 2024 and end on the 16th of November 2024.
The Managing Editor is the Treasurer of the Association and a member of the Woroni Executive. The Managing Editor is responsible for the financial planning, mangement and reporting of the Association and takes on a general administrative and management role alongside the other members of the Executive. Like all Editors, the Managing Editor sits on the Board and is a Director of the Association, responsible in part for the overall direction of Woroni as well as the joint editing of all published Woroni material.
The successful applicant will be passionate about student media, have a basic understanding of financial management and concepts, be organised and punctual, and be willing to dedicate 15 hours per week to Woroni duties. They do not have to have prior experience with Woroni, but such experience is recommended. They must be an ANU student.
The position is not paid, but Editors receive an honorarium for their work.
Applicants must answer the questions below, and if successful, will then go on to be interviewed by a panel of three current Editors. Applications close on the 10th of January.
Woroni is committed to accessible and diverse hiring. If the hiring process can be made more accessible for you or if you feel you have different requirements for any reason, please email woronideputy@gmail.com and we will do our best to accomodate your needs.
If you have any questions, please email woronideputy@gmail.com.
Comments Off on Woroni News and Content are Hiring for Semester 1 2024!
Woroni is hiring for 2024! Currently positions are available in our news and content portfolios.
At Woroni we are committed to:
producing interesting, entertaining, informative and regular content across our print, multimedia, radio and online media platforms;
contributing to a sense of university identity and reflecting the scholarly and cultural diversity of the ANU community;
promoting open public dialogue and debate in the ANU community;
promoting awareness of the variety of curricular and extra-curricular activities undertaken by students at ANU;
discovering and developing the creative talents of students at ANU in journalism and the media arts;
promoting the best practice in professional journalism; and
being innovative and exploring new media forms.
A great student media organisation is for everyone. Student media should promote conversations, and provide a platform for people with different views, identities and lived experiences. Our ultimate aim is to build a culture of inclusivity and diversity across our platforms. A large portion of ANU’s students relocate to Canberra to study, which means our community is extremely diverse. Woroni is funded by, created by and consumed by ANU students, and our mission is to produce print, radio and television content that truly reflects this community.
Woroni is committed to diversity in hiring and encourages applications from ANU students of all backgrounds. These are volunteer positions, however individuals may receive an honorarium based on their commitment to the role. If you have questions or concerns, please do not hesitate to contact woronieic@gmail.com. If you would like to contribute to our mission, see below for how you can get involved with student media!
Applications will close at midnight on Friday the 8th of December 2023. Interviews may be conducted at any time through or after the hiring period.
NEWS
Woroni’s News Team reports on the current affairs impacting the ANU community and students in particular. It is a fast-paced work environment where members of the team report on a variety of topics, ranging from student politics, changes to the University’s policies, to the Federal Budget. The News Team meets each week and everyone meets tight deadlines. It is a fun, closely-knit team that helps create excellent writers who work well under pressure. If anything can be done to make the application process more accessible, or if you have questions or concerns, please do not hesitate to contact woroninewseditor@gmail.com.
News Reporter:
News Reporters regularly write articles for Woroni News on events and issues that impact ANU students. They are expected to engage with campus life, write, on average, an article a week, and attend weekly team meetings. The role will also involve attending various events throughout the semester, like festivals, non-autonomous collective meetings, protests etc. News Reporters must be able to: write concisely and accurately; meet deadlines at short notice; pitch story ideas; work well in a team environment; and be confident in independently investigating issues further. A Woroni News Reporter is required to dedicate 5-10 hours per week to their role, and must write one article per week.
News Columnist:
News Columnists write articles that include the usual reporting with some additional commentary and analysis. They will primarily be tasked with news topics which require more contextualisation than a regular news article can provide. A columnist should show an appetite for complex topics and should demonstrate an ability to create comprehensive and sophisticated analysis. A Woroni News Columnist is required to dedicate 5-10 hours per week to their role, and must write one-two articles per fortnight.
Apply for the News Team here
CONTENT
The Content Team oversees sourcing, editing and production of written content for our magazines and website. It’s a fantastic opportunity to work in print production, understanding the editing and sourcing process, or to get your hands dirty writing creative stories, poems or insightful essays. Generally, the team is split into print and online — though working in one doesn’t prevent you from dabbling in the other.
Print:
Print sub-editors focus on the magazine. They work to produce six every year, each with their own distinct theme. They source and edit student contributions, as well as publishing pieces of their own. Best suited for somebody who is interested in print production and editing.
Online:
Online sub-editors create content for the website. We are primarily looking for reviewers and columnists. Reviewers are supported by Woroni to review the latest films, novels and whichever other media interests you, producing semi-regular content for the website. Columnists will semi-regularly contribute opinion pieces, cultural comment and analytical work for the website. Best suited with somebody who wants to write regularly and has a lot to say.
Senior Sub-Editors:
Senior sub-editors oversee the work of sub-editors. Mentoring, copy editing and taking on more challenging pieces.
Apply for the Content Team here
Comments Off on Woroni Editor Elections Are Opening
Woroni is run and governed by a board of eight Editors. Five of these Editors run portfolios that oversee the production of a specific area of media, from radio and TV, to the design and content of our bi-monthly magazine and our news output. The other three Editors oversee the finances and governance of Woroni. As per our Constitution, we have elections each semester for several openings on our Board, and this semester, nominations will open in Week 8, campaigning will begin in Week 10, and the elections will close at the end of Week 11.
Editor terms are a year, and start on the final day of examinations of this semester. Running in this election commits you to being an Editor from the 19th of November this year, to mid-November next year.
The following positions will be open:
Television Editor
Woroni is one the largest multimedia student organisations in the country, and our Television portfolio is a key part of this. Interested in filming, TV journalism, comedy, documentaries, livestreaming etc.? This is the kind of work the TV Editor oversees and manages. It’s a great opportunity to develop technical and team management skills and produce content across a variety of televisual formats.
Content Editor
Ever picked up one of our magazines and thought that you had a great idea for the next magazine? Or, are you passionate about student expression and giving a voice to a typically undervalued portion of society? The Content Editor oversees sourcing, editing and layout for the magazine. The Content team writes and edits pieces for both print and online, and the Content Editor is the one to give the go-ahead on pieces.
Art Editor
Have you really been to ANU if you haven’t cut up a Woroni magazine for its art? The Art Editor is responsible for Woroni’s artistic output, ranging from the design and aesthetic of the magazine to designs for social media and our article thumbnails. Its an excellent opportunity to learn about print design principles, design merchandise, and develop our art sub-editors’ talents.
Managing Editor
Woroni is fortunate to have a large budget, funded entirely by the Student Services and Amenities Fee that each ANU student pays. The Managing Editor oversees the expenditure and procurement of the Association, as well as preparing the annual budget and organising the annual audit. As a member of Woroni’s Executive they play a role in the overall governance, management and direction of the organisation. You don’t have to be a Finance student to be suitable for this position, rather, good Managing Editors are passionate about accountability, transparency and media independence.
News Editor (Casual Vacancy)
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Comments Off on Back to Basics: 20 Years of The Presets – Woroni Artist Series
Some of our 2000s-born students at ANU may be unfamiliar with the iconic Australian duo, The Presets, but I am fairly confident they would recognise their dance tune “My People”, a certified banger but also a frustrated, desperate call to arms from Julian and Kim about how Australia treats asylum seekers.
To celebrate their 20th anniversary, The Presets have embarked on a 20 Years in 20 Nights Tour. Intentionally playing smaller venues in low-key places, the tour is intended to be a departure from festival style gigs. Instead of a traditional performance, the gigs will be DJ sets that aim to go “back to basics” and feel more like a house party, where artist and fan can dance and enjoy the music together.
Ahead of their show at Kambri ANU on August 26th, I sat down with Julian to talk about the tour, electronic music today, and what album clubs can do for your friendships.
Thank you for joining me. The tour has started and you guys are three shows in I believe, and it looks like a lot of them are selling out which is really exciting. How are you feeling?
Yeah it all sold out on the weekend and yeah, now a lot of them are selling out. It’s fabulous. We’re really enjoying the tour.
How does it feel to be touring? You guys haven’t toured since 2018, how does it feel to be out there again?
Yeah, that’s right, actually, now that I think about it. I mean, we’ve played a lot of festivals and one off things but yeah, first actual Presets tour in, goodness, in five years. It’s great. It’s wonderful to be back out there and it’s great to play rooms where everyone’s sort of, you know, come along just to see us. It’s nice to meet all of the fans again, for sure.
Yeah, absolutely. Does this feel a bit different to other tours you’ve done in the past? Or is it feeling kind of just more of the same? Do you feel like you guys have changed how you’re touring at all?
Well, this time around, it’s a DJ tour. So we’re not performing live, we’re bringing our records along and it’s more of a 20 year celebration party, a birthday party, really. So that’s quite different. That’s something we haven’t really done before and it’s fun because…obviously we play a lot of our own music but we can also play a lot of, I guess, obscure remixes that people might have forgotten about and different versions of things that we don’t normally play live.
Plus, of course, you know, we can play a bunch of music by other artists that really inspired us that we love from back in the day or new tracks that are out today that we really love. So it’s more like a house party that we’re throwing, with all the stuff that we like, to celebrate 20 years.
Yeah I saw that you guys said you wanted to do this tour to be more like a house party. How do you envision the vibe being more like a house party? What are you guys kind of hoping for people to feel when they’re there?
Honestly, we wanted it to feel like what it felt like when we used to go to clubs. When we were younger and we were starting out, you know, I can say there’s a bit of a trip down memory lane for us.
And we’re getting quite nostalgic and over the years when we perform at festivals, they’re always great fun, but sometimes you’re 10 feet above the audience, 20 metres away from the front row and there’s like 20 security jobs between us and the crowd. You know, it’s hard to connect with an audience at a festival sometimes. That’s why we wanted to perform, you know, in a much more intimate setting and have these parties so it just feels like you know, much more of a visceral kind of celebration, rather than like an outdoor festival experience.
What inspired you guys to come back on the road and tour again after such a while Was there something that made you think you might want to go on tour again?
Well, two things. Post Covid-19 has been weird, to be honest. Like post-Covid-19, the industry hasn’t really come back in the way that it used to be. It’s really strange out there.
And so we’ve been getting a lot more offers to DJ at festivals or DJ events rather than play live, because I think for some events, it’s quite expensive to get the production and everything that’s needed to book bands. So that’s a bit of boring behind the scenes thing about how the industry is going, it’s kind of changing. Plus we got an opportunity recently to do a little DJ gig in Sydney, at a tiny little club where we first started playing 20 years ago, and the tickets sold really quickly for that and we thought, well, this is so much fun, and people obviously really want to come and have this different experience.
So there was that, and then you know, the 20 year anniversary of the band was coming up this year and we thought, what would be a fun way to celebrate 20 years? You know, we could do a handful of shows in the big cities like we always do, or we could do something a bit more intimate and special, and do a whole heap more shows but in a much smaller environment and we can really get close to and really party with our fans.
So yeah, it’s super fun. To be honest, it’s been a bit more enjoyable for me than performing live. Just being able to sort-of play some records and dance, you know, with our fans, has been great fun.
That sounds like an absolute blast. Your fans have been with you for such a journey, as you said you’ve hit the 20th anniversary. Are you expecting it to be a lot of those old hardcore Presets fans, or are you seeing some new fans rolling in?
It’s been a real mix, you know, for sure there’s been some oldies there that used to come to the very early shows, you know, 20 years ago. And then some of them are bringing their kids along this time. You know, it’s crazy.
There’s a lot of young people there as well. So it is a real mix, it’s a real lovely vibe. The cool thing is no matter what age people are that are coming, everyone’s there for a good time and everyone’s dancing and jumping around and yeah it’s been a real blast.
That’s fantastic. You guys have been making music for so long, do you feel like your sound has kind of evolved? Is there any new stuff that you’re throwing into this setlist? Or are you busting out some of the fan favourites?
It’s a real mixed bag. I mean, certainly we’re throwing down some old favourites, we can’t do a Presets show without doing that. But we’re able to sort-of reimagine and rework some of the older tunes into more kind-of club adjacent or club versions, which is really fun too, to just sort of strip them back and just reimagine the songs a bit. And then plus, yeah, we get to choose a bunch of music from other artists that we really love, like old classics from back in the day that inspired us, and you know, new music from today that’s really exciting us as well. So, I mean, it’s such a huge world, you know, the club music scene, like there’s so much music out there to choose from. It’s a lot different from when we’re doing our own shows, where we’re performing and we’ve only got 40 songs to choose from now, now we’ve got 40 million songs to choose from.
You’ve talked about some remixes, I know a lot of your tracks sometimes get remixed by a bunch of really cool and different artists. I was wondering if you guys had any artists or people in mind that you would love to see remix one of your tracks? Or just a dream collaboration you would like to see happen?
Wow. Obviously you know, we have favourite artists that really inspired us when we first started, I mean, obviously the big examples of bands like The Chemical Brothers, or Daft Punk or Basement Jaxx you know, a lot of these bands that were around when we started and that are still around today.
Gosh, it’d be lovely to get one of them to remix us one of these days, but I can’t see it happening. As far as collaborations go, I mean, we do work with a lot of other people just solo, Kim and I, we work with other artists and produce other bands and co-write songs with other bands. So we keep pretty busy doing that outside of the Presets.
But it’s funny, I don’t know, I’m thinking about my favourite acts, I’m kind of happy to not collaborate with them. I like them just the way they are. I’m not sure what I would bring to it, to be honest. But who knows, gosh, if The Chemical Brothers knocked down our door, I’d certainly be saying yes to that.
You were talking about how you’re really excited to hit some of the smaller places and more intimate shows. Are there venues or cities from past tours that you’re excited to come back to? Or any memorable past experiences or places that you’re really just excited to perform again?
Honestly, just excited for everything.
The one thing I’ve learned over the years is sometimes the really hot shows, the ones that really blow up, they’re the ones you don’t expect. You might be doing a huge festival somewhere and it’ll go okay, you know, but then you’ll play a tiny basement in Cleveland, Ohio, or in Berlin or whatever, and that’ll be a crazy party and really, really fun.
And it’s the same in Australia, you know, you’ll expect sometimes a show in one of the capital cities is gonna be really great, but it might be a little flat, and then you’ll have a really cooking show, you know, at a smaller venue later on. So it’s very hard to predict. But I will say that so far, the three shows we’ve done already have been so much fun, and just what we had hoped, you know, just people jumping around having a good time and done. Yeah, it really has felt like just partying with friends.
Yeah, that sounds fantastic. The visual aspects of your shows are always really captivating. I remember seeing you guys a very long time ago, it would’ve been 2009 or something along those lines, but I remember even back then, the visual elements were so fun and captivating. I was wondering whether your fans are going to see stuff like that visually in this performance or because it’s a DJ set, is it going to be kind of more traditional, like house party vibes?
Well, it’s a bit of both. I mean, one thing we did want to do with this tour is get back to basics. So much electronic music is based these days on massive production and huge, huge screens and huge you know, pyrotechnics and everything. The whole EDM thing, it’s kind of become crazy, the whole stage show that people put on. And yeah, and we’ve been doing that over the years, obviously with our own shows.
So this one we had tried to get a bit more back to basics and make it more about the music. And just more about just partying and dancing, you know, because I guess.. I’m sounding like an old fart here, but I remember in the old days when you used to go to a club, it wasn’t even so much about the DJ, you know, you just sort-of danced. And then after a while, people started facing the DJ, and then it became this kind of DJ worship thing. That always weirded me out a little, because I always loved electronic music for the anonymity of it, you know? But I’m kind of getting off track a little bit here. But yeah, I mean, we do have some obviously a lot of visual things that we’ve curated over the years and design that we’ll be bringing to this show. But we’re trying to make it a bit more just low-key and cool, and not so much like, ~show business~ you know what I mean?
That’s great. I’d love to know and I think our readers would really love to know as well, what you’ve been listening to lately? I know with lockdown, we’ve all maybe sunk back into our music caves a bit. I’d love to know what you guys are listening to?
Oh, my goodness, it’s such a hard question. Yeah, well, there’s two main things I listened to. One of them is just listening to new techno music and electronic music, and every day you dive into this world, and there’s like 100 acts that you’ve never heard of, you know, it’s like, ‘oh my god who are these people making this music?’ You know, from Europe and the States and Australia, you know, there’s so much going on. And then the next day you’ll dive in, and there’ll be 100 more artists you’ve never heard of. It’s a crazy, huge world of artists making beats and then usually none of them I even remember their names.
Yeah, I mean, there’s a bunch of Australian DJs doing such great stuff. There’s that girl Haai, she’s smashing it, she’s such a great DJ, I love her. Dj Boring is another Aussie DJ doing huge things. So they’re two Aussie DJs I really adore. And then there’s like 100 more that are just kind-of a bit more underground and they’re really smashing it over there. It’s crazy to keep track of. And then the other music I listen to, it’s kind of weird. I have an album club with some of my friends, we started during COVID-19 and every week someone picks an album and we listen to it, and then on Monday night, we get together on Zoom and we just talk about it together.
Kind of like a book club?
Yeah it’s kind of like a book club kind-of thing, for us old men. But yeah, we really love that, and every week it’s something very different, like it’s some obscure 60s jazz record, or it’s some new sort-of Middle Eastern thing, or it’s like a techno album or whatever, you know, it’s always something really, really different, so I really enjoy that too. But, gosh sorry, I’m sure you were hoping for me to tell you to check out some new artist.
No, that’s a fantastic answer. Honestly, that’s brilliant.
I highly recommend album clubs for people. It’s been such a fun way to keep in touch with friends.
Everyone gets so fragmented and everyone’s on social media and just communicating with each other with, you know, emojis and gifs. And just hanging out with your mates on a Monday night talking about an album you all listened to over the week, it’s such a nice thing to do. So hopefully, maybe some people might read this and be inspired to do that.
I hope so, that’s a fantastic suggestion, I love that. Well, thank you so much for sitting down. Good luck on the rest of the tour. It looks amazing. You guys are performing at the Uni in late August, so I’ll see you guys then. Thank you so much for having a chat with Woroni.
Get tickets to see The Presets on Saturday 26th of August 2023 at Kambri ANU
To celebrate their 20th anniversary, The Presets have embarked on a 20 Years in 20 Nights tour. Intentionally playing smaller venues in low-key places, the tour is to be a departure from festival style gigs. Instead of a traditional performance, the gigs will be DJ sets that aim