Encased behind glass, enshrined in a museum
it stands under warm lights
which reflect off its rounded ceramic curves
lighting up the centuries-old aquamarine glaze
the same colour as the Mediterranean Sea
No doubt we paid to fly it here on a plane, swaddled in soft packaging
I doubt it was shoved onto a leaky boat that threatened to sink
and dump it into the sea
Its body will never be tossed by careless waves
its mouth submerged and filled with salty water pushing it down, down, down
to arrive a broken and empty vessel
on a desolate foreign shore
It’s too precious for that
It would be passed between nations for large sums of money
welcomed by anyone
There are no queues, no lines, no wait lists
Doors are held open and officials smile
Its city has been levelled to the ground
like an anthill stomped upon by careless children
scattering the ants in a flurry of alarm
their tiny legs struggling to evade descending boots
but now it is held safely by another nation
They could not leave it to such ruin
such catastrophe
It must be preserved from the destruction
preserved and protected
What does it say
when nations value people from Damascus
less than a pot?
We acknowledge the Ngunnawal and Ngambri people, who are the Traditional Custodians of the land on which Woroni, Woroni Radio and Woroni TV are created, edited, published, printed and distributed. We pay our respects to Elders past and present. We acknowledge that the name Woroni was taken from the Wadi Wadi Nation without permission, and we are striving to do better for future reconciliation.